12 апреля 2010
What's So Funny About Peace, Love and Understanding?John Freedman | The Moscow Times
I often find myself thinking about Nick Lowe’s song, “What’s So Funny About Peace, Love and Understanding?” especially the version performed with attitude and passion by Elvis Costello & the Attractions on their 1979 album “Armed Forces.” It is one of those songs that can fit all kinds of situations.
This weekend I found myself humming the tune even more frequently than usual. The reason for that was Carrie Thompson.
Carrie started out her adult life studying Russian at the University of Texas in the mid-1990s. While still a student, she traveled to St. Petersburg where she lived and immersed herself in Russian and Russian culture. Later, after graduating, she returned to live and work in Moscow in the photo department of ITAR-TASS.
But it was in 2001, about the time that she moved to New York, that she really began to connect with Russian culture in a big way. That year she joined the staff of the Trust for Mutual Understanding, one of the most active and creative funders of cultural exchange between the United States and Russia. Presently the associate director of the Trust (also known as TMU), Carrie has been instrumental in aiding untold numbers of programs linking Russian and American artists.
TMU, as Carrie informed me, was founded in 1984 on the belief that grants can make a contribution to improved communication, closer cooperation and greater respect between the people of the United States, the Soviet Union and other countries in Eastern and Central Europe by supporting international, face-to-face contact and professional interaction.
What this means is quite simple: If you are an American performer, writer or creator and you have visited Russia on any kind of official exchange, chances are that TMU at least partially made your trip possible. The same may be said for Russian performers, writers and artists who have traveled to and/or worked in the United States. Rare is the Russian event in the United States that does not have some element of backing from the Trust.
Carrie was in Moscow last week to attend the Russian Case festival, a special annual event organized by the Golden Mask Festival that offers a five-day blitz introduction to contemporary Russian theater. After we attended Nikolai Kolyada’s production of Tennessee Williams’ “A Streetcar Named Desire” at the affiliate of the Pushkin Theater just off Pushkin Square, I asked Carrie to share some of her thoughts on Russian culture.
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